dir: Travis Knight
I wanted to love this, I really did. I love most of the stuff that the animators at Laika Entertainment have come up with thus far. They’re idiosyncratic as purveyors of animation, getting the distinctive look you’re not going to confuse with any of the other studios that comes from still using a lot of stop-motion (physical) animation in their movies.
It’s certainly the brightest and best looking of their works, shiniest and cleanest, compared to Coraline, The Boxtrolls and ParaNorman, which all looked somewhat gothic (in Coraline’s case) or a bit gangrenous. They were shooting for a mass audience, and they didn’t get it, which is a bit of a shame.
It’s ambitious, too. It opens with a woman in a boat trying to get somewhere in a terrible storm, one which wrecks her little boat and wounds her terribly, but even worse she is not alone. A baby boy is with her, and they crawl together into a cave to die.
It’s a very idyllic cave, beautiful ocean views, though probably a bit drafty. Some time passes, and the baby becomes a boy, and what a boy. He looks after his damaged mother, who sits motionless all day, and raises money for some rice by telling stories at a nearby village.