dir: Anthony Scott Burns
This was… one of the most unsettling films that I saw last year, and it wasn’t just because it’s Canadian. It’s not the most horrific flick that I saw last year, or the most horrific Canadian film I saw last year (that would be Violation), but it’s without a doubt the most unsettling.
Up until a certain point. Then it pulls a M. Night Shyamalan, and makes you regret ever having heard of the film in the first place.
It’s not even really a twist so much as an explanation, that comes out of nowhere, that no-one asked for, that improves nothing, that instead makes you feel like you’ve wasted your entire time watching something that has such an appalling ending.
I don’t want to focus on that. I want to focus on what I feel the flick gets right, for most of it length, because that way it feels like I’m being fairer to the film, to the people involved.
Saying that this film, Come True has a nightmarish quality is kind of like describing Kafka’s The Trial as being Kafkaesque. It’s redundant phrasing, because it’s literally about nightmares.
A lot of the flick is passages of a camera swooping through monochrome landscapes and sets with imagery that disturbing, but you can’t quite put your finger on why. It’s not gory or violent (except for maybe a few seconds just before the ending), and there’s no monsters eating people or demons trying to tear people’s bodies or souls apart.
It’s about a person, Sarah (Julia Sarah Stone), who’s homeless, and she doesn’t sleep very well. When she does, she always seems to be approaching a motionless figure, someone who she feels she is terrified of, but doesn’t know why.
We don’t know why Sarah avoids her mother, or doesn’t feel safe at home. She tries to scrounge food, take showers where she can, get to school on time, but she’s always falling asleep during class. When she sees one of those tear-off fliers for a place, presumably a university, offering to pay people in order to conduct sleep studies on them, she thinks that maybe this will help her out and she’ll get some money for her troubles.
Two birds, one stone. The people running the study are friendly enough, but they have a weird boss Dr Meyer (Christopher Hetherington), with these massive glasses on his face, which are even more disturbing than anything else that happens in the flick. Also, they don’t answer many questions when asked.