Hidden
dir: Michael Haneke
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Austrian director Michael Haneke is a cruel man. His career has been devoted to torturing audiences with his diabolical flicks. I don’t mean in the same manner that Uwe Boll and Celine Dion torment audiences. As Haneke gets older, his techniques become more refined, his blunt instruments are replaced with scalpels, and the damage goes deeper.
Hidden focuses on a middle-class, middle-aged French couple who start receiving video tapes of themselves documenting their movements at their flat. As well, they receive harmless but unsettling child-like drawings depicting a person bleeding from the mouth, or a chicken getting its head cut off.
The feel of the film is quite unsettling. Haneke uses a static camera for all the shots, not just the surveillance videos, and generally only moves left or right, to make us unsure if we’re really watching the scene, or watching the surveillance depiction of the scene. The flick also has no musical score or soundtrack, which adds to the oppressive atmosphere.
It might sound like a clinical Dogma-like experiment, but it’s not. The performances from all involved, especially Daniel Auteil and Juliette Binoche, are good, as you would expect from two mainstays of modern French cinema.
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