dir: John Krasinski
I kinda avoided seeing this at the time, and I regret it now, because it’s one of the better horror flicks I’ve seen in recent memory. And its sequel, which was about to be released now before the Coronapocalypse happened, might never see the light of day in a cinema, so there’s that, I guess.
I’m not sure that it’s the novelty of the premise, because it’s not that novel, or the complexity of the scenario, but whatever it is, the elements cohere and make this quite a terrifying / exhausting experience.
The enemy in this premise is some kind of monstrous creature. Don’t know where it came from, and it doesn’t really matter. These creatures are big, insect-like, covered in armour plating and they are blind. They are blind but they have exquisitely powerful hearing. So whatever happened in the initial stages of this invasion, the survivors know not to make noise by now.
Kids. It’s hard to convince small children about how serious a serious situation is. Very young boys in particular. One could almost say they’re pretty dumb, but that’s unfair. After the disaster strikes, and we start following one group of survivors, who happen to be a family, we see a boy wanting more than anything else, a space shuttle toy with flashing lights and whizz bang sounds. Despite understanding that Noise Equals Death in their brave new world, the boy don’t care, he wants his toy.
The family absolutely freak out, stop him from doing the inevitable, then take the batteries out of the toy, and admonish him not to get all of them killed.
Still, what’s a little idiot going to do other than the most obvious thing possible?
In a moment that emphasises to us that despite the fact that most of our protagonists are kids in a family, that no-one is safe, anyone can die, and the creatures hate everyone equally. It’s a gutting introduction into what this family (and we the viewers) are going to endure for the next hour and a half.
It makes for a very tense premise. They’re all not just tense when the creatures are around – they are constantly on guard, always trying to make the least amount of sound possible. The family recovers from what happened, but what happened reverberates throughout the family and within each character. They all feel a measure of guilt, or like they should have done something different in order to save their youngest.