dir: Matt Reeves
[img_assist|nid=1370|title=For god's sake, let her in before she kills us all|desc=|link=none|align=right|width=400|height=566]
Remakes. The making thereof. Proof of creative bankruptcy, or just outright mercenary greed?
Let the Right One In was only made a few years ago, but it suffered from being made in the native language of its author, being Swedish. When certain Hollywoody types saw that film, they thought, “The film is so awesome that the only way we can improve upon it is by making it in American. That’ll earn us a packet, and show the Swedes how it’s really done.”
Of course, they remade it, it was little seen, and the point of the exercise, or the merits, remain solely on the artistic level.
I liked Let the Right One In plenty when I saw it at the cinema, and I read the book as well. In Swedish, initially, which was quite frustrating, since I can’t read Swedish. Then I tried in Swahili, then Farsi, and finally in an English translation. The book is solid, too. I have no particular axe to grind against an American remake in theory, so I went into this with my closest approximation of an open mind.