dirs: Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord & Christopher Miller
Arguing about which of the Spider-Man movies are the ‘best’ is pointless, fruitless, demeaning, creepy and needlessly nerdy. After all, everyone knows Spider-Man 2 was the okayest, if not the best.
So it’s a settled argument. Phew. Now we can go back to arguing whether Nazis are really Nazis anymore or whether people need that much oxygen to breathe and whether Australia Day should be celebrated on April Fool’s Day or not.
And after that’s settled, maybe we get back to the new, real argument, which is: Which is the second-best Spider-Man flick?
Well, that argument has now also been settled with the release of this hilarious and utterly transcendent animated Spider-Man movie that artfully combines so many elements from the long and storied Spider-Man backstory, while also looking forward in gleeful and energetic ways.
Yes, okay, everything is superheroes these days and I’ve pretty much given up arguing against it, so now we’re just looking at the nuances and the ebbs and flows within the broader genre to see where the latest entries stack up. That’s all you can do. Twenty years ago the movies were mostly drama, a lot of action, some comedies and the occasional animated movie. Now it’s 90% superheroes, 5% shit blowing up, 4% people screaming at each other in place of drama and 1% whatever the hell is streaming on Netflix, mostly weak stand-up comedy. And most of that is older comics blaming the world for why we don't think they’re that funny anymore.
There’s something undeniably exuberant about this flick, something which this hero and his extended family is best known for, despite the dark turns the story might take. Visually it’s sublime and nuts, and it’s all in service of the story, insane as the story might be. But whoever Spider-Man is, the hero is always more like an actual person outside of the suit, brilliant but working class, highly functioning but ground down by life.
Miles Morales is a young teenager who really isn’t struggling with that much other than feelings of insecurity and imposter syndrome at the elitist school his hardworking parents have squirreled him into. There he is, existing quietly in his own universe, minding his own business, when he gets bitten by a genetically-engineered radioactive magic spider, don't you know.