dir: Ilya Naishuller
Who doesn’t feel like a nobody? Drowning in quiet desperation in the suburbs, repeating the same movements, actions and gestures every day, so deep in the ruts that constitute a life that even the people around you who you endure all this for barely seem to be able to see you anymore. And if they do, it’s with contempt, with a bit of loathing.
What to do, what to do…
Well, the average American has the options of : doing the hard work to develop one’s inner qualities, to expand one’s notion of the self and its place in the universe; devoting one’s life to helping others, or fighting for causes bigger than oneself.
Or, they could just get a gun and shoot people maybe?
The premise of this flick is the premise of a lot of flicks, it’s just that it doesn’t usually result in someone killing thousands of people. Killing people in order to feel alive again used to be frowned upon. Now it just seems like another path to self-fulfillment.
This is not a revenge thriller, nor is it Death Wish, where a wronged architect starts walking around New York killing ethnically diverse minorities for revenge and shits and giggles (three for the price of one). The John Wick comparison isn’t valid either. Wick was a retired assassin. Some jerk kills his dog and steals his car, so he gets to work. He kinda wants his car back and revenge for killing the dog, but mostly they just won’t leave the guy alone. He didn’t ask for this shit, but he will finish it over the course of 3 movies and a 4th installment for some insane reason.
The Nobody at the core of this flick did ask for this shit. A break-in at his home, where he lives with his wife who does not like him, if she ever did, and his kids, is the start of something big. As home invasions go, this one isn’t too horrific, especially since no-one dies, thankfully. But what it unearths is the seething contempt of his family against him, and his neighbours. Even the cops are like “why didn’t you even take a swing, bro?”
Everyone’s against him. But he’ll show them, won’t he? He’ll show them all that he’s a man to be feared.
Maybe it helps, maybe it doesn’t, but for many of us the lead here Bob Odenkirk is best known for his character of Jimmy McGill / Saul Goodman from Better Call Saul, but even more so for Breaking Bad. Breaking Bad is a testament, an absolute bedrock example of a show created with the premise of a middle-aged middle-class white guy feeling like life has passed him by, wishing he could do something extraordinary in order to feel alive again. It helps, for shows like that, that they cater mostly to whole multitudes of white, middle-aged, middle-class white guys who feel like life has passed them by and like if they did something violent and criminal, they’d be really good at it, not like those other lowlives…
Breaking Bad Saul is amoral, not particularly vicious, but without any moral compunctions about doing or saying anything no matter how awful. Better Call Saul Saul / Jimmy is desperate, hopeful, sweating, clinging to some vestige of credibility, fated to be morally destroyed.
He brings those same energies here, but the character is a bit hard to wrap one’s head around. I don’t think it’s much of a spoiler, because otherwise it doesn’t make a lot of sense why any of this would be happening: this guy here called Hutch, used to be a hardcore assassin for the agencies known by their three-letter acronyms. He would kill the kinds of people too hard to kill legally, or too hard for the local police to pull over and shoot for no reason other than the car freshener hanging from the rear view mirror or something equally implausible. He chose to try the happy, sedate life of a suburban shmoe, but it does not sit well with his ego.