dir: Nicholas Stoller
[img_assist|nid=27|title=It's Russell Brand's movie, but the rest of you can tag along if you want|desc=|link=none|align=right|width=300|height=476]
This is being released under the “Judd Apatow” banner as if Judd’s name alone is now a seal of filthy comedy approval. Wondering if a comedy is funny? Well, Judd Apatow was involved, so it must be so funny you’ll laugh until you rupture something.
Okay, so 40-Year-Old Virgin was funny, and Knocked Up was funny. Apatow directed them. But now are we really meant to believe that Apatow doesn’t even have to make the movies for them to be funny? He just “produces” them under the Apatow Productions banner, other people direct them, and they’re still full of Apatow-y goodness.
I think not. Even with the commercial and critical success of some of his comedies, the law of diminishing returns kicked in around the time of Drillbit Taylor. Forgetting Sarah Marshall isn’t going to kill off the Apatow bandwagon, but it might throw a wrench or two into the spokes.
It’s not a horrible film, in fact it’s relatively funny at some stages. The main actors aren’t horrible, the costumes are nice, the lighting was okay, and the make-up work is top notch throughout. I don’t know what the catering was like, but it was probably okay. No-one looks like they got sick from bad food, so that’s my assumption as to the relative merits of the food service.