dir: Alexandre Aja
[img_assist|nid=889|title=Boy and his dog, very touching|desc=|link=none|align=right|width=300|height=375]
Ah, the art of the pointless remake. Why not endlessly repeat the actions of others? Maybe I should invent the light bulb again, or write, direct and star in a film called Citizen Kane. Tell me you don’t get a tingle in a bad place over the idea.
Since everything else is being remade and redone, why not remake Wes Craven’s The Hills Have Eyes from the 70s? Craven also produced this remake, meaning he couldn’t be bothered directing it himself (how many directors remake their own films anyway?), but is more than happy to collect the fat pay-check from this renovated cinema nasty.
They hired French horror director Alexandre Aja to helm this little slice of viciousness, whose previous work Haute Tension proved, if nothing else, that he can construct a very nasty death scene. Sure, so High Tension, as us non-Francophones would know it, had the laziest plot twist imaginable, and little going for it except extreme gore, but it certainly delivered as a macabre horror film should. It also looked a treat as well.