dir: Juan Antonio Bayona
[img_assist|nid=99|title=I'm getting scared just looking at her|desc=|link=none|align=right|width=470|height=353]
Orphanages. Orphanages, psych hospitals, prisons; places of suffering. Places where we can imagine people’s suffering has an almost physical manifestation, that it can impregnate the very walls of a building, rendering it supernatural in and of itself.
There’s a reason why such buildings keep cropping up in horror flicks and computer games. It could just be that people have limited imaginations, and are intellectually lazy when they’re pumping out their formula hackwork. But there’s also a very believable sense that such places can take on some kind of frightful energy from human torment, infecting them long after they have been abandoned.
By the living.
Why anyone would want to return to the orphanage that they grew up in is a mystery to me, but the protagonist of this here ghostly flick, which keeps being sold as a film made by Guillermo Del Toro despite only having him involved in an exec producer capacity, does so. Laura (Belen Rueda) left the place when she was seven, and has lived a long and fulfilling life up until the moment where she and her husband Carlos (Fernando Cayo) decide they want to open up a special school in the grounds of the orphanarium where she grew up for at least the first part of her childhood.