dir: Aneesh Chaganty
This is a really keen film that transcends its gimmick (of almost entirely transpiring on the screens of multiple computers, phones, security cam footage and police interviews), to be more a story about the lengths one parent will go to save their child than about the technology it uses.
That sounds like a simple premise, and, in American hands, it seems to, at least recently, involve Liam Neeson killing a bunch of foreigners in order to save his daughter / ex-wife from multiculturalism. Those of us who are parents (and who, on average, like being parents) are compelled by stories like this to wonder about the lengths we would go to in order to protect or save our kids. Rarely do we see it as a negative.
Searching stars the great John Cho, world renowned as the Harold from Harold and Kumar Do Some Dumb Shit while on Drugs trilogy, for taking over the Sulu role in Star Trek from the equally legendary George Takei, and scrambling for decades as a tv guy in a million blink and you'll miss them roles.
He's pretty memorable, though. He's got a certain amount of presence. In this he's not playing an avenging vigilante parent or some kind of action hero. He's mostly just an American guy who works in Northern California and lives with his family, wife and daughter, and would probably prefer not to have to endure such a hideous drama.
The first ten minutes of the film are a study in how you can rip off the accelerated storytelling of a scene like the beginning of Pixar's Up, make it your own, make it work, and not be accused of abject plagiarism. Really, it’s a (banal) master class, it truly is. Even with its montage-like effect, it still gives you enough reasons to care about the family and what happens to them, even if you’ve barely spent any time with them yet.
We meet David (John Cho), Pam (Sara Sohn) and Margot Kim (eventually played by Michelle La) through the various milestones and home video-type stuff that accompanies modern life in the so-called Western world. 1st day's at school, Father's Day, first piano recitals, all that start. In between the various elements of a family's lives are the unavoidable hints that something is terribly medically wrong with Pam, and it just keeps getting worse as she battles with, and eventually succumbs to, lymphoma.
Some time passes, and we get to watch the interactions, via phones and chat apps, between a father and daughter that have lost an incredibly important person in their lives, and who are unsure how to carry on. David is, like a typical guy, all "let's just keep moving forward like that person I never mention is just in the other room and never talk about it", and poor Margot, who your heart breaks for, clearly is yearning to talk about the person who’s no longer there, but just doesn’t feel like she can with her dad.