dir: Melina Matsoukas
Queen & Slim aims high. How do you encompass all of America’s issues with race, crime, justice, relationships in the Tinder age and parental difficulties in a two-hour film?
Well, you select two very attractive people and you make them the face of contemporary African-American Man and African-American Woman, then you put them through the ringer, and see if sexy results ensue.
Except…I dunno, I find it weird that neither of the leads is actually American. Both Daniel Kaluuya and Jodie Turner-Smith as the Queen and Slim of the title, grew up in Britain, with Ugandan parent’s in Daniel’s case and Jamaican in Jodie’s case. It kind of implies no-one else in America could have filled the roles, and I can think of at least four, maybe five people.
I guess it’s not really that relevant a point. Having grown up in Britain, on a council estate, there’s no doubt Daniel knows a lot about casual racism and the institutional variety, and Jodie has lived in LA for over a decade after doing uni in Pennsylvania, which is the most racist of the Northern states, as everyone knows (I’m just kidding even though I know it’s not funny in the slightest). Plus Daniel stared in Jordan Peel’s flick Get Out and in Black Panther as one of T’Challa’s friends from childhood, so I think he’s earned his place at the table.
Speaking of Black Panther, they couldn’t even resist making a Black Panther reference, though at least they didn’t say Wakanda Forever at any point. That would have broken the fragile tension keeping this contemporary story current and believable. There’s nothing funny about what’s they’re living through, though there is a bit of humour to leaven the dread.
A lot of the flick seems to be about the tensions surrounding the Black Lives Matter movement, since the precipitating event involves a police officer. It expands out broadly to encompass issues to do with the justice system’s inherent biases against African-Americans, but also tries to capitalise on the status of the protagonists as proud counterculture symbols, which is a bit problematic. They become symbols to others, which obscures that they are people, with hopes and aspirations, as opposed to hollow Bonnie & Clyde surrogates, which is less than human.
It’s also about the growing relationship between the protagonists, who are unnamed for the majority of the flick. And because most scenes between them involve just the two of them, and that they’re mostly on what in any other context would be considered a road trip, they are getting to know each other as we’re getting to know them as well.