dir: Shane Carruth
What a freaky film. It’s probably the strangest film I’ve seen this year. It’s probably the strangest film I’ll see all year. There are six months to go, so, who knows?
It will be very hard to give a synopsis of this flick in a coherent way that will give a sense of what it was like to watch this movie. A few films are good, a lot of flicks are mediocre, but very few films deliberately avoid pandering to an audience by being very hard to understand and aggressively difficult to watch. This, from the same guy who made the low-key low-budget time travel flick Primer, is just such a concoction.
Most flicks, with the business model/logic behind them that generates them, go out of their way to be as easily consumable as possible. Upstream Color doesn’t seem to want to go the easy route, or to really be understood or explained in the way most flicks seem to work. At least that's what I think happened. For all I know, it makes perfect sense, and I'm way too thick to make sense of it, because I'm clearly not a genius.
It’s also aggressively edited as well, and I don’t mean in the way that a Michael Bay movie or one of the Bourne movies will be over-edited to stop you from realising how deeply stupid the plot or action of such a flick is. The purpose here seems to be to keep you unsettled, deeply unsettled.