dir: Robert Redford
[img_assist|nid=121|title=Vote for me or I'll punch your grandmother in the face|desc=|link=none|align=right|width=300|height=300]
Is it edutainment, or entercation? Is its primary purpose to sell tickets, or as a delivery device for a payload of sweet, sweet knowledge? What if that unasked-for education is little more than the talking points of the two opposing sides of the American ideological spectrum ladled out to you, the bored audience member, with nary a spoonful of sugar to help the medicine go down, in the most delightful way?
Films about weighty subjects, such as political apathy, the Iraq and Afghanistan wars, or whether men should wear boxers or briefs, are supposed to make you think about the issues. You’re supposed to come away with more questions than answers, inspired to find out for yourself what the real state of play is. A documentary uses footage, facts and interviews to investigate and explore a situation, an issue or a set of issues. If it’s done right, then it answers some questions itself, and raises others of a more ambiguous nature if it’s balanced or about something too complex to be handled simplistically.
In a feature, dramatic film with a political agenda, you expect that an issue is raised and explored in a fictional but credible context, designed to explore ideas in a way that the currents affairs or doco formats cannot, or at least in not as compelling a fashion.