dir: Yoji Yamada
[img_assist|nid=1064|title=Oh noble samurai, why must feudalism be so unfair for you and yours?|desc=|link=none|align=right|width=450|height=672]
The Twilight Samurai is a deceptively simple, measured Japanese film about a low-ranked samurai with no ambitions in life apart from looking after his children and senile mother in peace and quiet. If every character aspiring to a life of peace and quiet ever got their wish from the start, these flicks would never get made.
Seibei Iguchi (Hiroyada Sanada) is the derisively-named Twilight Samurai, so named by his workmates because when dusk comes around and their daily labours end, instead of boozing and whoring it up with his colleagues, he scurries home in the increasing dark to see his daughters and mother. Seems like a strange thing to insult a guy over.
Seibei’s wife has recently died of consumption, which used to be the pretty way of saying tuberculosis. As such, he is flat out working and taking care of his remaining family, and doesn’t have the money or time to look after himself or fix up his clothes. In that light, he is unwashed and unkempt, and his kimonos are dirty and torn.
He is loyal to his clan, but plays no part in their interactions and machinations with / against the local Lord. He is of the lowest ranks of samurai, as measured by his miniscule stipend of 50 koku. I don’t know what a koku is. But it doesn’t sound like much.