dir: Barry Luhrmann
[img_assist|nid=1080|title=I would have preferred to look at this picture for two hours instead|desc=|link=none|align=right|width=337|height=450]
Moulin Rouge, the fourth in the Three Colours series, is the first to depart from the tried and true formula of having silly French people overact at the drop of a croissant. Instead, in another of his long list of genre bursting endeavours, Barry Luhrmann decided to shift the focus of his vision to the future. In this science fiction / horror crossover, Luhrmann paints a bleak yet colourful canvas of his chilling view of a post apocalyptic alternate future where the fabric of society has been discarded like a drunken bridesmaid's undies and people speak in a post literate language called "ham", obscuring all meaningful communication and leading to sorrow, loneliness and death.
The film begins at a time referred to as "1899", but astute viewers will note that this has nothing to do with actual earth history. On some newly colonised planet, a city called "Paris" cradles both our protagonists and the venue that the film takes its name from, the Moulin Rouge, or "Red Snapper", cunningly referring to the legendary Led Zeppelin groupie anecdote of the same name.