dir: John Milius
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What a strange film. It looks like a weird, right wing treatise on the dangers of ignoring the threat of Communism prior to the actual fall of the Iron Curtain and the Soviet Union, but even accepting that, its kitsch value is through the roof.
Avowed right wing paragon John Milius, who wrote the script on such legendary endeavours as Conan the Barbarian and Apocalypse Now, decided that only he could do his paranoid “epic” justice by directing it himself.
And he’s probably right. Anyone else would have been uncomfortable with making a film with such terrible acting performances from the main characters. But, I guess, thinking as a screenwriter, all Milius wanted was for them to say the precious words that he’d written.
Let’s not overstate this or glide over it: much of the acting by the main players is comically bad. Uproariously bad. Showgirls bad. But, for reasons I can only put down to the seriousness of the subject matter and a nostalgic glow courtesy of the early 80s, it doesn’t sink the film. Far from it.