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9 stars

Leopard, The (Il Gattopardo)

dir: Luchino Visconti
[img_assist|nid=1092|title=Like a painting from one of the masters|desc=|link=none|align=right|width=337|height=446]
1963

The Leopard, based on the novel of the same name by Giuseppe Di Lampedusa, is a beautiful, languid film that slavishly follows the source material so as to not miss a single scintillating second of Sicilian magic. Only a Marxist director who was an aristocrat himself could so painstakingly reconstruct such a story about the decline of the aristocracy in Italy after the Risorgimento of the 1860s. So a classic story about the death of a way of life, of an entire people, becomes a classic film in the hands of the right director.

The acclaimed Italian director made plenty of other films, some as good and some worse (The Damned comes to mind), but few are as magnificent as The Leopard. The title itself comes from the coat of arms of the Prince Fabrizio di Salina’s prestigious and illustrious family. In the film he is played by Burt Lancaster, that most Italian of movie stars.

Oh, wait a second, he’s not Italian. How can he play a Sicilian aristocrat in that case? With great difficulty, perhaps?

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Graduate, The

dir: Mike Nichols
[img_assist|nid=1095|title=Probably the most famous image of an outstretched leg in cinema history|desc=|link=none|align=right|width=430|height=396]
1967

What a remarkably good film. I can’t believe it’s taken me this long to see it. Seeing it for the first time just recently (29//8/2007), I was struck by just how good this ‘classic’ flick from the 1960s really is. For once the link between reputation and quality actually coincides.

Certain phrases have become pop culture stalwarts like “Mrs Robinson, you’re trying to seduce me,” “Do you want me to seduce you?” and “Plastics!” said in that conspiratorial voice. And the soundtrack by undead folk troubadours Simon and Garfunkle is as well known and much lamented part of greatest hits commercial radio package played out daily across the globe.

Then of course there was the Lemonheads cover of Mrs Robinson which propelled the song and the flick back into the public consciousness many years after the fact. And it gave Evan Dando enough money to develop a really serious drug habit.

All these artefacts, cultural signifiers and signposts don’t alter a really significant fact: The Graduate is a funny and touching flick about an aimless guy who’s unsure of his place in the world.

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Ghost Dog: Way of the Samurai

dir: Jim Jarmusch
[img_assist|nid=1096|title=The Way of the Whittaker|desc=|link=none|align=right|width=450|height=298]
1999

Jarmusch has always been a very idiosyncratic, in some ways quite limited director, but he made his magnum opus here. His films were interesting before and after it, especially Down By Law, Dead Man and Mystery Train, but Ghost Dog represents the pinnacle of his art form, for my money. I don’t have a lot of money at the moment, so I realise that’s not saying much.

On the surface it seems like a simple film: strange guy who calls himself Ghost Dog and pretends to be a samurai kills a bunch of people. And I guess it is. Simple, that is. But there is this persistent vision that permeates the flick, creating the urban world as seen through the lens of an ancient warrior’s code and Ghost Dog’s eyes which elevates the flick above its seemingly generic plot.

Ghost Dog (Forest Whitaker) is a large, ominous looking brother who meticulously and methodically plans and carries out assassinations. Though he is silent in all he does, we hear his voice in voiceover narrations, imparting the ancient wisdom of the samurai to us ignorant peasants in the audience.

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