dir: Martin Scorsese
The Departed, Martin Scorsese’s remake of the Hong Kong movie Infernal Affairs (Wu jian dao) manages something few remakes ever do: it improves on the original and contributes something more than just proving that there are no new ideas left in Hollywood.
People will argue endlessly over which is the better film, but it’s an irrelevant argument. Both films stand independently of each other, and do what they do best in their own ways. It’s not a competition, after all.
Scorsese and screenwriter William Monahan take as much as they need from the original script, and add enough distinctive original material to make the film their own. They go to a lot of trouble to add substantial detail to make the story look like a product of its place and time, which makes many of the more central characters seem more believable.
The story is transplanted from Hong Kong to Boston, and the villains are transformed from triad gangsters to an Irish mob led by Frank Costello (Jack Nicholson). With the location change, the premise remains the same: two men pretend to be something they are not.