dir: Jonathan Dayton and Valerie Faris
[img_assist|nid=873|title=This little bitch is responsible for getting whole generations of kids onto acid|desc=|link=none|align=right|width=300|height=268]
Even though it looks like just another American film about just another dysfunctional American family, Little Miss Sunshine has more going for it than that. At the very least, it manages to provoke a few more chuckles than the average film of this type usually does.
True, there’s no shortage of movies, both mainstream and art-house, that try to outdo and out-quirk each other with crazy families and their crazy adventures on the road to getting to their version of a happy ending. The lazy message always is, no matter how wacky and insane members of your family are, they’re still your family. So, you know, appreciate them for who they are.
Well, this film boasts a quirky collection of characters, and has the same predictable message regarding the thickness of blood versus water. But it ends up being a lot more fun that usual, even if it doesn’t have anything new to say about anything.
Olive (Abigail Breslin) is a cute little awkward girl who somehow makes it to the finals of a beauty pageant for cute little girls. For various unimportant reasons, her entire family has to accompany her on a cross-country trip in an old Volkswagen Kombi van as they try to get to Los Angeles for the competition.