dir: Joel Coen
It’s hard not to view some of the films the Coen Brothers have been responsible for more as experiments than films. Their films thus far have generally been about films, on some level. Sure, they’ve got characters and plots and set pieces and crafty dialogue. But they are also almost always about Hollywood and movies.
I’m going to avoid rambling on about that theory too much, since I’m sure I’ve mentioned it at length in another Coen Brothers review found elsewhere on this illustrious site. All I will say is rarely is the link made so explicit as it is in Barton Fink, most of which is set in the Golden Age of Hollywood’s bright days prior to World War II.
Barton Fink (John Turturro) is a New York playwright who’s hit the big time. His most recent play is the toast of Broadway. Somehow, this translates to him being snapped up by contract to Capitol Pictures, and shipped out to Los Angeles to work as a screenwriter.
The head of the studio, an over excited Michael Lerner, continually praises both Fink and writers in general. He bellows out the phrase “The writer is KING at Capitol Pictures”, which is not likely to be true. Fink is told to write the script to a wrestling movie because he knows the poetry of the streets, which precludes him from working on westerns, biblical or any other kind of story.
The studio moves him into a hotel that, at first, looks pretty swanky. At least the lobby looks swanky. Chet (Steve Buscemi) is the ever helpful, and decidedly odd bellboy / concierge who seems to be the only staff member in this hellish hotel.
Fink’s room, over the course of the film, is in the process of decomposing before our very eyes. The walls themselves ooze a fetid liquid, and the wallpaper, looking like human skin overflowing with leprosy, sloughs off in sheets.
Fink tries to combat the decay with persistence and pins, to little avail. All the while, his progress before the typewriter is stunted before he’s barely begun. A rampant case of writer’s block has seized him by the balls and won’t let go.