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5 stars

Batman V Superman: Dawn of Justice

Batman Versus Superman

Just kiss and get it over with, for crying out loud

dir: Zack Snyder

2016

It’s… it’s not good.

That’s not to say it’s completely terrible, but, it’s not a good movie.

I could go so far as to say that it’s a bad movie with some good bits in it.

I had hoped that the scathing reviews were just a bit of superhero movie burnout, or the punishment of high expectations, but it turns out that everything one could fear about a flick directed by Snyder with a script that David S. Goyer had a hand in easily came to pass.

The list of stuff the flick gets “wrong” about Batman and Superman is far longer than what it gets right. I put wrong in quotes because I’m not going to pretend like my opinion is definitive or expert or anything. No one likes listening to a Comic Book Guy spouting nonsense like they themselves invented Batman back in the late 1930s.

I do have an opinion, though, and it’s as valid as any other persons, with the possible exception of Professor Stephen Hawking or Sir David Attenborough, or Ginger Spice, because my opinion is pure shit compared to what those titans of thought could come up with.

Rating:

Crimson Peak

Crimson Peak

I'm sure everything will be fine, she seems perfectly sane

dir: Guillermo del Toro

2015

Ghosts are just a metaphor…

It’s said so many times in the movie, that you know that the ghosts are actually meant to be ghosts, as well as metaphors for metaphors. When the characters within a ghost story question the parameters and plot points of ghost stories, I think we’re officially in the realms of the “meta” without ever having intended to take a trip there.

Crimson Peak is kinda sorta a ghost story. If you took the ghosts out completely, it would not affect or change the outcome, or even the path along the way, at all. The ghosts are queasy and nightmarish in some instances, but I would humbly suggest that they don’t really do much that couldn’t be easily done otherwise from a story point of view.

In fact, just to keep belabouring the point, I would argue that the screenplay already has the plot elements being discovered by the various relevant characters just fine, and then unnecessarily has those revelations underlined sloppily with these spectral redundancies.

Plus, it makes little sense. They’re maybe trying to help Edith with advice and warnings and such, but all they’re doing is scaring the shit out of her so that she makes dumb decisions that would seem to make it harder for her to achieve their goals.

Rating:

The Man from U.N.C.L.E

Man from UNCLE

Maybe if we all collectively just say "Uncle!" that will be
enough and they won't make any more of these delightful...
thingies

dir: Guy Ritchie

2015

yeah nah…

It was probably never going to work. I can’t imagine there’s much nostalgia for the show. It was too long ago, and there really isn’t that much to hang a franchise off. If you want to make something that looks like a dated Bond clone (or a homage-like retro Bond clone), you don’t really need to hitch your star to a barely remembered TV series.

Truth be told I actually do have fond memories of the show. I thought Robert Vaughn and especially David McCallum were totally cool when I watched repeats of the show on the telly way back when, and I thought they worked well together. I bought their friendship / partnership even before I really understood why an American and a Soviet spy should really have hated each other.

I always assumed they liked each other and worked well together because they were too cool for ideological / patriotic bullshit.

I still assume cool people like each other because they’re too cool for ideological bullshit. It’s the way to live, as far as I can tell.

It’s not really fair to call it a Bond clone, since Ian Fleming himself was involved with the show, and had basically conceived of it as being some kind of American Bond tv show (with Napoleon Solo as the main character). They threw in a cool blond Russian looking guy, and that was history being made.

Rating:

The SpongeBob Movie: Sponge Out of Water

SpongeBob Movie

These superpowered jerks are idiots, like a version of
the Avengers with more impulse control, and less angst

dir: Paul Tibbet

2015

School holidays can definitely be a slog for parents. SpongeBob Squarepants movies can be a definite slog too.

School holidays just passed. I took two kids to see this in 3D. They were there voluntarily. Me? Not so much.

It turned out that the two kids weren’t really there by choice either. I thought they were, but they were under the mistaken impression that we’d be watching that other animated movie that came out at the same time called Home.

Home has that commercial where the annoying guy from The Big Bang Theory with Asperger’s plays an alien character that declaims that his hands are in the air like he just doesn’t care. I wonder why I didn’t leap at the chance to watch that one.

Timings weren’t right to see it on that particular Sunday, so instead we saw this. In 3D no less. Cost me nearly $80 fer crying out loud…

But that’s neither here nor there. It’s not a cartoon I enjoy that much, so I was never really ever going to love this either, I’m sad to say. When I consider the cartoon riches that are out there at the moment, that I get to enjoy on a regular basis with my daughter and her friends (the short list contains Adventure Time, Steven Universe, Regular Show, Gravity Falls, and that’s keeping it real short), SpongeBob is not really up there.

Rating:

The Interview

The Interview

The fate of the world rests in the hands of these two dick
and arse-obsessed jerks. The world doesn't have a hope.

dir: Evan Goldberg & Seth Rogen

2014

Over this? You caused an international incident and nearly caused a nuclear war to start over this?

Only time will tell if The Interview was worth it. In the short term, it’s led to a baffling case of international espionage / bastardry in the form of either North Korean hackers or someone in the employ of North Korea achieving a massive hack on Sony, the company that was threatening to release this flick. And it has achieved a notoriety that it otherwise would never have earned based on what the movie is actually like.

I’m sure Sony will inflate the dollar cost of what was done to them for insurance scam purposes, like when you get burgled and you tell the guy or girl from the insurance company “why yes, and that’s where the Picasso used to hang on the wall”, but the impact on them has been huge. The infiltration of their company has resulted in bunches of films that weren’t yet released being flooded onto torrent sites, and the internal communications of the company going back years being revealed for all the world to see.

Sony’s Playstation Network, through which people can buy and stream movies, through which people could buy and stream THIS movie, was taken down, and so was the one for the Xbox, at least temporarily. All those gaming nerds… forced to step away from their screens, it must have been hell for them.

Rating:

Predestination

Predestination

I'm about as confused as you look, but I'd like to offer you
a great opportunity on the ground floor as a secretary at
Sterling Cooper Draper Pryce

dir: The Spierig Brothers

2014

Predestination is the third film by the Queenslander Spierig Brothers that I’ve seen, or that they’ve made, and the first one that I can recall reviewing.

The reasons are… well, it’s not polite to say why. This will probably, hopefully for them, be their most successful film. Saying it’s their best film is damning with faint praise. Undead was half an okay movie (zombies), and half unwatchable (sci fi crap and a high pitched screaming cop that I wanted to murder more than the other characters did). Daybreakers was terrible, so terrible, such a terrible take on the vampire genre. Daybreakers took a bunch of actors I liked and made me hate them all, at least for a while.

Predestination is a different beast. It’s actually competently made. It may be complicated, but they take steps to try to explain everything that’s going on. The acting, especially the central performances by Sarah Snook and Ethan Hawke is fine, in Snook’s case great, perhaps.

Rating:

The Expendables III

Expendables 3

The cast keeps getting bigger, but the film's don't get any better

dir: Patrick Hughes

2014

Old old old, I’m feeling old today. I’m feeling so old that I think I’ll just talk about how old I feel and how old everyone around me looks instead of doing anything else that’s interesting or anything really worth reading. Did I mention that I’m old?

The first Expendables was a tribute to itself, in that Sylvester Stallone and a bunch of other has-beens from the 1980s thought they’d remind the world that they were still around, and they could still star in movies where they look like they’re total badasses. Let’s pretend for a moment that it wasn’t then and isn’t now special effects and stunt people stand-ins. No, these guys, because they looked like badasses, must have been badasses, surely?

‘We’re not past it!’ they’d bellow like nervous cattle, loudly through the screen at us while joking about being past it. Everyone else would tell them they’re ‘past it’, especially the villains, they themselves would mock each other about being ‘past it’, but they’d still win in the end. So, thus, the Expendables were anything but expendable.

Rating:

The Giver

The Giver

What you're giving me is the desire for this flick to
be erased from my memory

dir: Phillip Noyce

2014

By all the gods above and below, this is the dreariest flick I’ve seen in a long time.

I know enough about the book The Giver to know that since the 1990s the book has been on the reading list for high school students, probably causing them collectively to groan whenever they see the advertising because it stinks of homework. Same way the rest of us feel whenever Shakespeare or Anne Frank’s Diary is mentioned.

But honestly, how did this book get such traction in the American consciousness? I haven’t read the book so maybe it’s a masterpiece of dystopian allegory or didactic science fiction, but based on what’s ended up on the screen it’s a trite, dreary and fundamentally unbelievable story with a simple-minded resolution that not even a kid would buy.

And yet a lot of people have read it, and a lot of people saw the film. I remain categorically unimpressed.

It even has The Dude, and even that doesn’t work. Shameful, shameful work.

The world of The Giver is one we’ve seen many a time before. It’s a bland gated community without too many dark skinned people, and everyone is blandly handsome and polite. Plus, they’re all in black and white. In other words, it’s not just that the images we are seeing are in black and white, we’re informed, by how it changes, that the denizens of this community also see everything only in black and white, like dogs.

Rating:

Chef

Chef

And remember, always tip your wait staff and
other service industry types so that they don't
spit in your food too often

dir: Jon Favreau

2014

With some flicks, when there’s a clod/visionary at the centre of them who seems to have performed every job on the film (star/direct/produce/screenplay/edit) I often joke that they did the catering, too. In this, Jon Favreau’s tribute to Jon Favreau, it’s more than likely that he did the food as well.

There are people in this life who must feel very lucky to have gotten where they have. Other people work and strive damn hard and get nowhere for decades. For others, it just seems to fall in their lap. There’s no point getting angry about it: no-one except the delusional should expect a random and chaotic universe to allocate outcomes to people based on merit. It only happens in fantasy stories. Still, when that success comes to you, it’d be nice if you could acknowledge that you’ve risen to a station you otherwise don’t deserve.

On some level, it’s hard not to feel like Jon Favreau’s career as the director of some pretty big budget films is some kind of cosmic fluke. A man who has shown little ability as an actor or as a comedian ends up directing two of Marvel’s biggest recent movies? How? Why? Who does he have photos of in compromising positions that haven’t been leaked to the internets yet?

Rating:

Mr Peabody and Sherman

Mr Peabody and Sherman

Wow, she really, really loved her cake. I wonder if she had
a single other definable trait

dir: Rob Minkoff

Everything you even vaguely remember, and don't even remember that fondly, is going to come back and be made into a movie, probably an animated movie.
Bringing every vaguely shitty thing lurking in the back of your memory back to the forefront is done, primarily, I think, because the stuff is so, so good.

I mean, who doesn't have fond memories of, uh, this annoying boy and his pedantic, pretentious dog?

Perhaps I should have phrased that differently: was anyone wanting this to come back?

I swear, Your Honour, the only reason I saw this is because my daughter asked if we could see it. I thought it would slip through to the keeper this time, as in, it would be one of the kid's flicks I didn't have to pony up and see in the cinemas during the school term / Easter break. At least I didn't have to see it in three dimensions, two being more than enough for this historical extravaganza.

If any part of me wanted to see this, or wanted my daughter to see this, it was that wheezy, whiny part of me that makes excuses for caving in on issues, no matter how important or negligible. Someone mugs me on the train and takes my phone? "Well, it was a shitty phone anyway, and now I can get a new one!"

Fired from my job? "Opportunity to study or spend more time with the family!"

Unjustly convicted of murder? "I can catch up on my reading!"

Sure, I can find a silver lining to every cloud. It's what I do.

Rating:

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