dir: Steven Soderbergh
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Experiments are cool, aren’t they? I used to look forward to The Curiousity Show on the telly when I was a wee tacker, as the weird guy with the moustache and the other weird guy with the beard performed all those experiments you get to see as a kid: adding this to that to make it gush out all over the place, toothpicks in potatoes, constructing working nuclear devices out of papier mache, paper clips and mum’s pantyhose.
The interest lies, apart from the desire to watch shit blow up in beakers or on bunsen burners, and apart from the general intention to learn more about the physical world through observation, in the real sense what we want to accomplish is the viewed outcome of what happens in a controlled environment. In other words, if you put this and this in this kind of set-up, then this shit happens.
Well, if you put Steven Soderbergh, black & white cinematography, A-list actors and a script set just after World War II in Germany, it’s an experiment in film noir, and certainly a lot of shit happens.