dir: Tim Miller
And thus completes my recent trip down Nostalgia Lane. Of the two recent reiterations of venerable franchises, being the very dumb Predator movies and the slightly less dumb Terminator movies, the thing they have in common is Arnie. The Predator franchise felt no need to involve Arnie in any of its movies past the first one, and they were right, because he had better things to do, and they were only going to be shit (he must have known).
The Terminator flicks have always been indebted to him, because he is the Terminator of the title, after all, and only one of the flicks thus far didn’t have him in it (though it had a CGI version of him, because he was busy being Governor of California, after all). In a strange new trend, this is not a reboot or a continuation from the last flick Terminator: Genisys, but instead argues that everything after Terminator 2: Judgement Day never happened, so this is a direct sequel to T2.
It’s…a strange thing to do, isn’t it? It’s not unheard of, because different people work on stuff over years, and either new people want to go in other directions without being handcuffed, or the original people come back in, think everything they weren’t involved with is shit, so they revert the story back to where they’re comfortable with.
I can’t help but think that real world issues impacted on many choices in these movies over the years. I’m not going to use the words “artistic choices”, because let’s not pretend franchises are art. They’re product, and we know it. No, I mean stuff like Sarah Connor being written out after T2 mostly because James Cameron dumped her for someone he met making Titanic. And while the John Connor character kept popping up in T3: Rise of the Machines, Terminator: Salvation and Genysis, they were never going to bring back Edward Furlong, considering his addiction and legal troubles over the last 20+ years.