dir: Nahnatchka Khan
This is, ridiculously, one of my favourite films of the year thus far. I know it’s not over yet, many months to go, but I enjoyed the hell out of it, and I’ve seen it twice.
And the bits with Keanu, honestly, they’re the least part of it.
The film’s greatest strength, whether as a romantic comedy or whatever other phrase one might want to use to genre-fy things up, is Ali Wong and Randall Park. Both immensely funny in other stuff, both perfectly relaxed and believable here, not as a star-crossed lovers or people with monster – Viking – sexual chemistry, but just as two people who could reasonably be happiest with each other despite their myriad differences as people.
Ali Wong has made two Netflix stand-up specials, both while heavily pregnant, that constitute two of the funniest stand up specials I’ve ever seen, on any format. She has a phenomenal energy and delivery, and great skills as a teller of her own tale, and fiercely feminist to boot. Randall Park is naturally funny in anything, can do sitcom stuff with relative ease, played a monstrous dictator and still made that funny as a demented Kim Jong-Un in The Interview, and can play this role here as Marcus comfortably as putting on old sneakers.
Sasha and Marcus, growing up as kids in San Francisco, bond over being Asian-Americans in a predominately whitebread town though they’re not from the same backgrounds. Sasha is also something of a latchkey kid who never sees her hardworking Vietnamese parents, and so she spends even more time with Marcus than friends would. In Marcus’s Korean mum Judy (Susan Park) she gets an adoptive mother, and the comfort and love that comes from regular feeding. From Judy she further picks up a deep love of making quality Korean food.
Up until they are spotty teenagers in their late teens, and Marcus’ mum dies unexpectedly, they’ve been close friends, but grief and a need for something else leads them to having sex for the first time. The awkwardness and the vulnerability, and the stupid stuff people say at that age afterwards, drives them far apart.