dir: Matthew Warchus
A few of the reviews I’ve read about this film, or at least ones I read before watching the flick myself contain the stock standard sorry phrase “you wouldn’t think there’d be much crossover between the 1980s British Gay Rights movement and the coal miners who went on strike, but Pride’s here to tell you, there was!”
Maybe that’s not entirely accurate; maybe I just imagined it. It’s just that the film itself plays off on the alleged jarring juxtaposition, and so the reviews mention the self-same seeming ‘paradox’: that the people you would imagine would least like ‘the gays’ end up accepting their existence.
Pride is no doubt heavily fictioned up, but is nonetheless based on the true story of what happened in the 1980s in Britain, in Maggie Thatcher’s Britain, more importantly. As the film tells us, activists for gay rights / equality under the law woke up one morning and found they weren’t being harassed by the cops anymore. Or at least, not as frequently. This didn’t come about because anything changed legally in the country: it came about because the cops were now too busy harassing and beating the crap out of the striking coal miners.