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Historical/Period Piece

Leopard, The (Il Gattopardo)

dir: Luchino Visconti
[img_assist|nid=1092|title=Like a painting from one of the masters|desc=|link=none|align=right|width=337|height=446]
1963

The Leopard, based on the novel of the same name by Giuseppe Di Lampedusa, is a beautiful, languid film that slavishly follows the source material so as to not miss a single scintillating second of Sicilian magic. Only a Marxist director who was an aristocrat himself could so painstakingly reconstruct such a story about the decline of the aristocracy in Italy after the Risorgimento of the 1860s. So a classic story about the death of a way of life, of an entire people, becomes a classic film in the hands of the right director.

The acclaimed Italian director made plenty of other films, some as good and some worse (The Damned comes to mind), but few are as magnificent as The Leopard. The title itself comes from the coat of arms of the Prince Fabrizio di Salina’s prestigious and illustrious family. In the film he is played by Burt Lancaster, that most Italian of movie stars.

Oh, wait a second, he’s not Italian. How can he play a Sicilian aristocrat in that case? With great difficulty, perhaps?

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47 Ronin, The

dir: Hiroshi Inagaki
[img_assist|nid=1006|title=Some alphabet you got there, you suicide-prone freaks|desc=|link=none|align=right|width=450|height=662]
1962

Now here’s a blast from the past. For reasons I’m not going to bother to explain, I’ve taken it upon myself to review an ancient Japanese samurai film for my amusement and to a chorus of yawns from the rest of the world. I do love Japanese films, that’s true, but I’m not sure if that’s adequate justification for writing about a film that is over forty years old.

Surely it matters not. Clearly the makers of this flick, The 47 Ronin, didn’t think that the Seven Samurai in Akira Kurosawa’s masterpiece were enough. Clearly they thought there needed to be plenty more samurai to make a really good flick. After all, just like with sex, cooking or explosives, if something doesn’t work, just add more ingredients.

Actually, that’s got nothing to do with it. The 47 Samurai is one of the fundamental Japanese cultural tales regarding its history and feudal system of vassalage, and the complex and rigid societal / class system known as bushido, which translates to ‘way of the samurai’. Fascinated as I am with Japanese history and culture, this well-made but a bit tiresome epic film is a perfect example of everything that was most insane about this crazy country. And also, most importantly, it says something about why everyone seems to be dead at the end of so many Japanese films.

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