dir: Jason Reitman
Charlize Theron was terrifying in Monster, where she played serial killer Aileen Wuornos all those years ago, snagging an Oscar for her performance.
There are scenes in Young Adult where she’s even more horrifying.
She does this thing with her eyes where she leeches them of all human sentiment or human feeling. They transform into the eyes of some infinitely old and infinitely cold alien who observes our species with nothing but contempt.
And then she just acts like a self-centred brat who’s never grown up from being the high school mean/popular girl, who is doomed to be nothing but this for the rest of her life.
When Mavis (Charlize Theron) receives a group e-mail announcing the birth of her married, high-school boyfriend’s daughter, who has been out of her life for decades, she somehow twists this to mean that now is the time for her to return to her shitty home town to rescue him from a life of domesticity and human feeling.
She is a piece of work, a true piece of work. Her alcoholism is only one of her many estimable qualities. When she piles in to her car in order to drive back home to Mercury, Minnesota, with miniature dog in tow, she puts in a tape that dates back to her glory days, to the halcyon, to the peak of existence.