dir: David Ayer
It sounds like something you’ve seen a million times before, but it actually ends up being much stronger than that. A movie about two cops? Get out of here, it’ll never work…
The director, David Ayer, has been responsible for a lot of cop-related flicks, most notoriously Training Day (as the screenwriter), a film I still loathe to this day, but he clearly has an affinity for two things: cops and South Central LA. As he grew up there, it’s impossible to see it as anything other than a deep affection for the place. In some ways he’s demystifying some of the mystique surrounding the place, but in a lot of other ways, he’s probably perpetuating most of the clichés about the place that give it such a negative rep.
That doesn’t concern me, I’m not here to judge, just to condemn or transcend. In truth, you probably shouldn’t see his many films about cops and South Central as a form of document, covering as they do the transitions occurring over time in that one area, and in policing, as well, but I’m happy to, because how else am I going to know? The only other source of information I have about South Central comes from rappers, and they’re not known for their meticulous adherence to accuracy.