dir: Peter Docter
You don’t know how much of a relief this was. A good Pixar movie. Again. It’s been a while.
I did not love Onward, I guess because I’m not American, and the sight of grown people being obsessed with playing catch as the be and end all of parenting and fatherhood has never resonated with me the way I guess it resonates with Americans. And it was a very elaborate and colourful way to spend millions in the service of a story so simplistic and mundane that it should have been half an hour long, and delivered by a generic episode of Everybody Loves Raymond, or Two and a Half Men or something suitably banal. And in truth Soul is probably the Pixar flicked I’ve liked the most since Inside Out, which still holds up, but which was six long and lonely years ago.
At first it seemed surprising that anyone would devote Pixar / Disney levels of resources to telling a story with a middle-aged African American protagonist, this being the world we live in, but then I guess you remember that Pixar previously had an 80-year-old pensioner as the protagonist of Up. So they can basically do whatever the fuck they want. When work on this started as well, it would have been long before the coronavirus changed everything, but it is more than likely that it was finished with people working remotely or distanced at least, which I guess is less of a problem for an animated movie than one where crews and casts have to cluster together in a studio or on a set. And doubtless Disney never would have wanted to release this only on their streaming service, though I’m sure it’s playing in a bunch of cinemas where brave souls don’t fear the virus.
I wasn’t going to see this in a cinema. No way, no day. Too risky until enough of us have the vaccine in our sweaty, desperate clutches, and lord Satan knows when that will be. But I am happy to watch it streamed through that most diabolical of streaming services, being Disney +.
So even if Disney loses a bundle on this, I think Soul is a triumph, because it’s a very enjoyable and entertaining movie, its story isn’t completely familiar and overdone, even if there are elements recognisable from other Pixar flicks, but it’s also in the service of a pretty good message about Life, you know, that thing many of us take for granted because the reality of our daily existence can vary from excruciating to staggeringly mundane even when the plague apocalypse isn’t happening around us.